Roman and news(short stories) All books
Daniel Sibony
Marrakech, Departure Point
During a weekend trip to Marrakech — his hometown — a novelist has a love affair that becomes intertwined with reminiscences of his childhood.
Manès Sperber
And the Bush Became Ashes
Novelist, essayist, and philosopher Manès Sperber is a major witness of the twentieth century. Born in 1905, he became the closest disciple of Adler, a Viennese psychologist known for his rejection of psychoanalysis. Driven from Berlin by the Nazis in 1933, he definitely broke with communism during the 1937 Moscow trials and established himself in the Parisian intellectual circles of Malraux, Camus, Koestler and Aron. Recognized in German countries as a major writer, his work has received many literary prizes. By publishing his three novels in one newly translated volume, Odile Jecob proposes a reference edition of this epic.
Manès Sperber
Being Jewish
A non-practicing Jew, Manès Sperber learned to read the Bible at the age of three and continued to re-read it until the end of his life. Neither religious, nor a militant Zionist, nor an aethiest, nor aligned with any cultural Judaism, he professes as his only faith a "religion of good memory." His is a Judaism lived as humanism and as an ethic, as a refusal of all idolatry, of exclusion of others, and a constant combat against hate of any kind. It is a profound attachment to the Israelite nation and a prudent attitude towards the State of Israel that Sperber illustrates in these brilliant essays prefaced by Elie Weisel, where analysis of Jewish thought and identity walk hand in hand with the eternal question: Why anti-semitism?
Jean-François Peyret, Jean-Didier Vincent
Faust A Natural History
It all began in July 1995, when theatre director Jean-François Peyret met with biologist Jean-Didier Vincent, in the latters lab. The intellectual exchange and friendship that developed from that meeting resulted, several years later, in a theatrical production based on a free adaptation of Goethes Faust, until then deemed unperformable. In this book, they look back on their production of Faust, and take stock of their experience. Their book can be regarded as a novel, a dialogue, a confession, a reinterpretation of Faust, or simply a mind game. Quietly and without ostentation, Peyret offers the reader a brilliant examination of the theatre today, and Vincent upholds his views more freely and strongly than ever before.
