Arts All books
Anka Muhlstein
Pens and Brushes The influence of art on the 19th-century novel
A meticulous account which goes back to the source of the great classical authors' fascination for painting.
Élisa Brune, Paul Qwest
Life as an Event What Art and Science Expand in Us
In this final book, Élisa Brune and Paul Qwest share a reflection that is as rich as it is stimulating on our relationship with knowledge. A reflection based on 66 strokes of genius in the arts and sciences.
Jean-Claude Carrière
Studios
The heretofore unknown reflections of Jean-Claude Carrière on theater, film, directing, and culture. A sincere account of the difficulties of creation. Numerous encounters with essential figures in theater and film from the past 60 years.
Alain Berthoz, Fabienne Verdier
Thought in Action A Painting Session Between Art and Science
An original discussion around the artistic process, combining philosophy and history of art, brain physiology and mathematics.
Alessandro Pignocchi
Art and Intention
The latest scientific research reveals how we perceive and judge works of art
Alain Séguy-Duclot
Defining Art
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
Christophe Paradas
The Mysteries of creativity Psychoanalysis and aesthetic
A reflection on the mystery of creativity and on why art can be so disturbing
