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Alain Séguy-Duclot
Defining Art
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
Hélène Merle-Béral
The Biology of Immortality Who wants to be immortal?
Immortality is no longer what it used to be. This brief history introduces the proponents and the implications of it. Life can be prolonged; medical science is constantly proving this; but it cannot thwart the great laws of biology.
David Lepoutre
Don’t Wonder Why Anymore, Wonder How A Guide for Simplifying Your Life
An original approach, far from the usual questioning that, too often, makes do with mono-causal explanations, which are necessarily over-simplified.
Christian Delacampagne
Of Indifference An Essay on the Banalization of Good and Evil
What can we forget, and what had we best remember? What is "good" and what is "bad" indifference? Christian Delacampagne proposes a re-evaluation of genocide and of crimes against humanity in the face of an intellectual confusion that leads, according to Hannah Arendt, to a real "banalization of evil." Christian Delacampagne is a philosopher and a journalist at Le Monde.