Philosophy All books
Alain Séguy-Duclot
Defining Art
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
Roger-Pol Droit
Michel Foucault, interviews
On 25 June 1984, Michel Foucault died of AIDS-related complications at a hospital in Paris. Since then, his reputation and influence - already great during his lifetime - have not ceased to grow. Whether his subject was asylums, prisons or the history of sexuality, Foucault always tried to understand the organising forces behind prevalent social attitudes, by which a society defines itself, so as to disrupt the existing order. A philosopher as well as a historian, Foucault was an unclassifiable, unpredictable, subversive thinker, and the inventor of a new style of intellectual investigation. He rarely spoke of himself, or of his goals, or of his relations to his own writing, experiences and intellectual development. He did, however, talk about himself in a series of interviews that he gave me in June 1975, a few weeks after the publication of Discipline and Punish: The Birth of the Prison. Wishing to pay homage to his memory, I have gathered here three of those interviews, which were previously published in the press, along with some of my memories and thoughts about him, writes Roger-Pol Droit. Roger-Pol Droit is a research fellow in philosophy at the Centre National de la Recherche Scientifique (CNRS) and a columnist for the French daily newspaper Le Monde. He is the author of La Compagnie des philosophes, La Compagnie des contemporains, 101 Expériences de philosophie quotidienne and Dernières nouvelles des choses.
René Frydman
God, Medicine and the Embryo
With ethical questions raised about medically assisted pregnancies and medical experimentation, the eugenics debate has become a mute point. Yet bioethical legislation has remained ambiguous. René Frydman has made himself the ardent defender of progenics, a predictive and humanistic medicine. Here, Frydman reflects on the problem of the human embryo through the different points of view of science, religion, law, and morality, and answers ethical and religious questions that he has been asked by his patients. René Frydman is a gynecologist-obstetrician and a member of the FrenchEthics Committee.