Results for the keyword science
Ilya Prigogine
The End of Certainties
As we come to the end of the century, the question of the future of science is often posed. I believe we are just at the beginning of a new endeavour. We are witnessing the development of a science which is no longer limited to simplified, idealised situations, but makes us face the complexity of the real world. This new science will allow human creativity to be experienced as the unique expression of a fundamental trait common to all aspects of nature. Ive tried to present this conceptual transformation, which implies the beginning of a new chapter in the fruitful relations between physics and mathematics, in a manner that will be comprehensible and accessible to all readers interested in the evolution of our ideas of nature. We are but at the threshold of a new chapter in the history of our dialogue with nature, writes Ilya Prigogine. Ilya Prigogine, winner of the Nobel Prize for Chemistry, teaches at the Free University of Brussels and at the University of Texas, in Austin.
Ilya Prigogine
The End of Certainties (Coll. Opus)
As we come to the end of the century, the question of the future of science is often posed. I believe we are just at the beginning of a new endeavour. We are witnessing the development of a science which is no longer limited to simplified, idealised situations, but makes us face the complexity of the real world. This new science will allow human creativity to be experienced as the unique expression of a fundamental trait common to all aspects of nature. Ive tried to present this conceptual transformation, which implies the beginning of a new chapter in the fruitful relations between physics and mathematics, in a manner that will be comprehensible and accessible to all readers interested in the evolution of our ideas of nature. We are but at the threshold of a new chapter in the history of our dialogue with nature, writes Ilya Prigogine. Ilya Prigogine, winner of the Nobel Prize for Chemistry, teaches at the Free University of Brussels and at the University of Texas, in Austin.
Jean-François Peyret, Jean-Didier Vincent
Faust A Natural History
It all began in July 1995, when theatre director Jean-François Peyret met with biologist Jean-Didier Vincent, in the latters lab. The intellectual exchange and friendship that developed from that meeting resulted, several years later, in a theatrical production based on a free adaptation of Goethes Faust, until then deemed unperformable. In this book, they look back on their production of Faust, and take stock of their experience. Their book can be regarded as a novel, a dialogue, a confession, a reinterpretation of Faust, or simply a mind game. Quietly and without ostentation, Peyret offers the reader a brilliant examination of the theatre today, and Vincent upholds his views more freely and strongly than ever before.
