Science All books

Philippe Cury, Daniel Pauly
Eat Your Jellyfish! Human Impact on Nature
An uncompromising picture of overexploitation, especially of marine resources. Examples of certain actions that have been successfully undertaken show (perhaps) that all has not yet been lost.

Claude de Calan, Pierre Etaix
The Clown and the Wise Man
"One of us is an acrobat and a filmmaker who tries to provoke laughter; the other one tries to contribute to the progress of mathematical physics. Yet, we could endlessly throw our ideas back and forth. The surprising closeness of our approaches, the strange fraternity between our two disciplines, which are as far away from each other in their goals as in their techniques, gave us great joy. It is our feeling of wonder that wed like to share here," write Pierre Etaix and Claude de Calan. Sometimes known as the French Buster Keaton, Pierre Etaix is a master of burlesque and the inventor of unequalled visual gags. Claude de Calan is a scientist at the Centre of Theoretical Physics at the Ecole Polytechnique.

Rita Levi Montalcini
Your Future A Nobel Prize which speaks to young people
When a great scientist makes a point of getting through to young people and those around them.... When a Nobel prize brings within everyones reach all the key principles of biology.... When an exceptional woman passes down to new generations the values on which she has based her life.... Science with a conscience ! Rita Levi Montalcini recieved the Nobel Prize for Medicine. Born in Turin, but forced from Italy by the Fascism, she has for many years taught in the United States.

Étienne Ghys
Snowflakes: A Wonder of Nature
An introduction to the science of crystals within the reach of non-specialists, with a very clear introduction to the physical and mathematical aspects of the subject.

Bernard Lechevalier
Mozart's Brain
In this book, the author uses episodes from Mozarts life which illustrate a specific aspect of musical perception. He explores the mechanisms of musical memory - how is it mentally possible to memorise a fifteen-minute musical composition for nine voices, in two choirs? Is this ability due to a listening technique? To an emotionally-based one? What mental operations are at work in musical memory, in general? Bernard Lechevalier is a neurologist specialising in neuropsychology, and a professor of neurology and medicine in teaching hospitals.


