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Alain Séguy-Duclot
Defining Art
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
Danièle Voldman
The Mine Clearance of France after 1945
At the liberation of France, the country was covered in mines, planted by the Germans, the Allies and the Resistance during the conflict. The population were fearful of resuming normal life in the face of this danger: France had to remove the mines. Thus in 1945, mine clearance was invented, as before then no-one had any idea how to defuse these weapons of death! Who would be given the heavy responsibility of leading this task ? What did it involve ? What role did the German prisonners of war play ? Danièle Voldman, a historian, is the research director of the CNRS (Institute of Contemporary History).
