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Françoise Héritier
On Violence II
In this new volume, anthropologists, biologists, psychoanalysts and political scientists continue their interdisciplinary examination of violence. What are our links with the animal world? Is the animal metaphor relevant when discussing violent acts committed by human beings against other human beings? What is the relationship between pain and violence? What part does violence play in social relations? What is nonviolence? Could the concept of nonviolence enable us to develop a universal ethical system? Françoise Héritier is an honorary professor at the Collège de France.
Hervé de Carmoy
Entreprise, Individual and State Leading to Change
The author believes that France is suffering from numerous ills, including inertia, demagogy, unemployment, corruption, corporotism, elitism, and a general withdrawal from the outside world. He also thinks that much more than clear-headedness and a desire for change are required if a cure is to be found. What is the best way of making the necessary changes? How have others gone about implementing those changes? He believes the business world provides an excellent model for learning how to deal with an ever-changing environment. Hervé de Carmoy was formerly general director of the Midland Bank in London.
Bernard Roques
The Danger of Drugs
This book is the result of a study on drugs carried out by Bernard Roques at the request of the French Secretary of State for Health, Bernard Kouchner. The author has reviewed and summarised a large body of information from all over the world, so this is a thorough, detailed scientific examination of what is known today of the potential dangers, particularly for the brain, of toxic and psychotropic drugs including alcohol and tobacco which are often associated with the consumption of other drugs. Roques study will doubtless play a major role in public health discussions and decisions, particularly in the fight against alcoholism and nicotine addiction. Bernard Roques is a member of the French Académie des Sciences.
Alain Séguy-Duclot
Defining Art
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
Monique Sicard
The Making of the Image
It was during the Renaissance that images and pictures were first used by anatomists, microscopists, and astronomers as scientific tools. In that era, scientific images served as a kind of inventory of the known world. In the 19th century, the popularization of scientific ideas gave science a new vigor. Photographic images gave science a new reality, explaining and legitimizing scientific concepts--movement, for example--to a fascinated public. In our days, the scientific image is often a construction--helping us to represent objects and ideas that, like fractals or black holes, cannot be defined through actual observation. Monique Sicard is Projects Director at CNRS Images Média.