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An original discussion around the artistic process, combining philosophy and history of art, brain physiology and mathematics.
In this final book, Élisa Brune and Paul Qwest share a reflection that is as rich as it is stimulating on our relationship with knowledge. A reflection based on 66 strokes of genius in the arts and sciences.
A cross-sectional approach: from the curious to the specialist, all audiences will find food for thought here. From fiction (cartoons, cinema…) to the military perspective, and including literary references, a great variety of subjects are broached.
A meticulous account which goes back to the source of the great classical authors' fascination for painting.
A reflection on the mystery of creativity and on why art can be so disturbing
The general consensus is that art is impossible to define and that the evaluation of works of art is always subjective. Countering these affirmations, Alain Séguy-Duclot shows in this work that art can, in fact, be defined. Duchamp's readymades (industrial objects in series, snow shovels, wine racks, etc) constitute a point of departure for this reflection. He argues that, rather than showing that art was undefinable, the readymades proved that art was definable. It is this that Séguy-Duclot sets out to prove in this incisive and passionate work. Alain Séguy-Duclot is a philosopher, and a professor at the University of Tours.
It was during the Renaissance that images and pictures were first used by anatomists, microscopists, and astronomers as scientific tools. In that era, scientific images served as a kind of inventory of the known world. In the 19th century, the popularization of scientific ideas gave science a new vigor. Photographic images gave science a new reality, explaining and legitimizing scientific concepts--movement, for example--to a fascinated public. In our days, the scientific image is often a construction--helping us to represent objects and ideas that, like fractals or black holes, cannot be defined through actual observation. Monique Sicard is Projects Director at CNRS Images Média.
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